For Writers: The Philosophy Behind Great Characterization
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Characters serve as imaginative constructs that encapsulate and portray aspects of real-world individuals, offering fictionalized interpretations that reflect human complexities, behaviors, and emotions. Through their narratives, characters become conduits for exploring universal truths, societal issues, and personal experiences, providing audiences with insights into the human condition in ways that resonate deeply with our own lives.
This course delves into the philosophical foundations that underpin the creation of compelling characters in literature, film, and other forms of storytelling. It explores how concepts such as identity, ethics, authenticity, and existentialism shape the development of characters that resonate with audiences. Through philosophical analysis and case studies, students will gain insights into the complexities of character creation and learn to apply these principles to enhance their own storytelling abilities.
This course offers an in-depth exploration of the philosophical theories and principles that inform the creation of memorable and impactful characters in various narrative forms. Characters are not merely constructs but vehicles through which authors and creators explore profound themes and human experiences. Understanding the philosophical underpinnings of character development enriches the depth and authenticity of storytelling.
In storytelling and character development, the interplay between external goals and internal conflicts forms a cornerstone of narrative depth and philosophical exploration. External goals represent tangible objectives that characters pursue within the plot—such as achieving a mission, obtaining a prize, or overcoming an antagonist. These goals drive the external plot and provide structure to the story.
Conversely, internal conflicts delve into the character’s inner turmoil, dilemmas, and emotional struggles. These conflicts often stem from deeper philosophical questions about identity, morality, purpose, and existential concerns. Internal conflicts shape the character’s decisions, motivations, and growth throughout the narrative, adding layers of complexity and realism to their development.
This course merges these concepts into a cohesive unit by examining how external goals and internal conflicts intersect and influence one another within the broader framework of philosophical inquiry. By exploring characters through a philosophical lens, students gain insights into how external actions are informed by internal beliefs and motivations, and vice versa. They learn to analyze characters not only in terms of their plot-driven objectives but also through the lens of philosophical theories and principles.
Through lectures, discussions, case studies, and creative projects, students will explore how characters’ external journeys reflect their internal struggles and philosophical dilemmas. They will critically examine how philosophical concepts such as ethics, existentialism, authenticity, and identity shape characters’ decisions and narrative arcs. By merging external goals with internal conflicts, the course aims to deepen students’ understanding of character development and enhance their ability to create compelling and resonant characters in their own storytelling endeavors.
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1Introduction To The CourseVideo lesson
This course is made for screenwriters and ghostwriters and has been designed to focus entirely on how characters are built for movies and books.
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2Meet Your Course GuideVideo lesson
My name is Christopher Makavelli, the creative director of the 18th Studios and I will be your guide on this course you're taking.
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3External Conflict (Wants) & Internal Conflict (Need)Video lesson
External Conflict: An external conflict which can be referred to as a character's wants is an external goal a character must achieve by the end of the movie or novel.
Internal Conflict: An internal conflict which can be referred to as a character need is essentially an internal struggle that a character is dealing with internally. Once he/she can overcome this, the goal is then made possible to achieve.
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4Internal & External Conflict: Harry PotterVideo lesson
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5RecapVideo lesson
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11External GoalVideo lesson
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12Case Study: ShrekVideo lesson
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13Case Study: Ironman Movie SeriesVideo lesson
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14Case Study: TitanicVideo lesson
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15Case Study: SpongeBob SquarePantsVideo lesson
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16Techniques for Established Clear-Achievable GoalsVideo lesson
Discover the SMART (Specific, Measurable, Attainable, Relatable, and Time-bound) technique for establishing mg a clear and achievable character goal and external wants.
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17Discussion Questions & ActivitiesVideo lesson
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25Examine Your Guide’s Internal Conflict & External GoalVideo lesson
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26What Is Philosophical BeliefVideo lesson
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27Real-World ExamplesVideo lesson
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28Influences Of Philosophical BeliefsVideo lesson
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29Perception & ReactionVideo lesson
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30The Impact Of Philosophical Belief In StorytellingVideo lesson
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31Techniques For Philosophical BeliefsVideo lesson
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32Introduction To Character ProfilingVideo lesson
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33Essential Elements of a Character ProfileVideo lesson
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34Tools and Templates for ProfilingVideo lesson
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35Practical ExerciseVideo lesson
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36Role of Character Profiles in Plot DevelopmentVideo lesson
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37Techniques for Integrating Profiles into StorytellingVideo lesson
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38Practical Exercise IIText lesson
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39AssignmentText lesson
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